{"id":3469,"date":"2022-12-21T11:15:12","date_gmt":"2022-12-21T11:15:12","guid":{"rendered":"https:\/\/claraquintanastudio.com\/constel%c2%b7laciones-dels-amics-de-la-fundacio-joan-miro\/"},"modified":"2023-01-20T08:40:22","modified_gmt":"2023-01-20T08:40:22","slug":"constel%c2%b7laciones-dels-amics-de-la-fundacio-joan-miro","status":"publish","type":"post","link":"https:\/\/claraquintanastudio.com\/en\/constel%c2%b7laciones-dels-amics-de-la-fundacio-joan-miro\/","title":{"rendered":"\u2018Constelations\u2019 for Christmas at Fundaci\u00f3 Joan Mir\u00f3"},"content":{"rendered":"<p>Creative proposal to represent Christmas celebration at Fundaci\u00f3 Joan Mir\u00f3. As a starting point, the project focuses on the series of works by the artist,\u00a0<i>Constel\u00b7lacions<\/i>. Twenty-three paintings started in 1939 in Varengeville-sur-mer and finished in 1941 between Mallorca and Montroig.<\/p>\n<p>In \u2018<i>Constel\u00b7lacions\u2019<\/i>\u00a0we find traces that search for the essence of colours, the link between people and objects and the feelings that are evoked. In this way, the aim of the proposal is to create spaces for celebration. Spaces where the protagonists are all the people,\u00a0<i>els Amics<\/i>\u00a0and<i>\u00a0<\/i>Mecenas of the museum, responsible for giving life to the artist\u2019s works.<\/p>\n<p>So, the will of the project seeks to create an ad hoc, ephemeral and scalable spatial design, located in different spaces of the significant building. A work of rationalist structure of the city of Barcelona, designed by the architect Josep Llu\u00eds Sert, urban planner and great friend of Joan Mir\u00f3. Thus, two memorable, warm and close evenings are created. One, dedicated to the\u00a0<i>els Mecenas<\/i>\u00a0and the other to the\u00a0<i>els Amics de la Fundaci\u00f3 Joan Mir\u00f3<\/i>. In them, it\u2019s played repetitively with the red thread, joining sets of chairs with the will to create constellations both inside the building and in the courtyard of the Garrofer. Constellations that bring together and invite diners to engage in conversations, experiences and dialogues.<\/p>\n<p>The light of the space is modified using earth-tone candles and\u00a0<i>Santa &amp; Cole<\/i>lighting. The furniture focuses on popular chairs characteristic of the artist\u2019s studios and sculptures. In turn, tables from\u00a0<i>Mobles 114<\/i>\u00a0are used as welcome desks. Also selected carpets by\u00a0<i>Nanimarquina<\/i>\u00a0and the placement of those in chromatic tile or blue tones, a base is built for the set of objects within the space. All this, with the will to unite each of the elements and be able to represent the colors of Joan Mir\u00f3\u2019s Christmas. A design integrated with the museum\u2019s brand and personality. With the aim of generating synergies between other brands in the city of Barcelona, people and objects that can be part of the universe of Mir\u00f3, seeking comfort, reunion and the exchange of stories and new prosperous experiences for the future of the<i>\u00a0Fundaci\u00f3 Joan Mir\u00f3<\/i>.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Client<br \/>\n<\/strong>Fundaci\u00f3 Joan Mir\u00f3 de Barcelona<\/p>\n<p><strong>Credits<\/strong><br \/>\nParticipating brands: Mobles 114, Nanimarquina and Santa &amp; Cole.<br \/>\nPhotography by\u00a0<a href=\"https:\/\/leogarciamendez.com\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/leogarciamendez.com\/&amp;source=gmail&amp;ust=1674234016301000&amp;usg=AOvVaw3fjSFjE-j5qxi3Op2vEXcm\">Leo Garc\u00eda Mendez<\/a>\u00a0and own ones.<\/p>\n<p>Speacial thanks to Sandra Moreno and Llu\u00eds Carreras.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Creative proposal to represent Christmas celebration at Fundaci\u00f3 Joan Mir\u00f3. As a starting point, the project focuses on the series of works by the artist,\u00a0Constel\u00b7lacions. Twenty-three paintings started in 1939 in Varengeville-sur-mer and finished in 1941 between Mallorca and Montroig. In \u2018Constel\u00b7lacions\u2019\u00a0we find traces that\u2026<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"class_list":["post-3469","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/claraquintanastudio.com\/en\/wp-json\/wp\/v2\/posts\/3469","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/claraquintanastudio.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/claraquintanastudio.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/claraquintanastudio.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/claraquintanastudio.com\/en\/wp-json\/wp\/v2\/comments?post=3469"}],"version-history":[{"count":2,"href":"https:\/\/claraquintanastudio.com\/en\/wp-json\/wp\/v2\/posts\/3469\/revisions"}],"predecessor-version":[{"id":3740,"href":"https:\/\/claraquintanastudio.com\/en\/wp-json\/wp\/v2\/posts\/3469\/revisions\/3740"}],"wp:attachment":[{"href":"https:\/\/claraquintanastudio.com\/en\/wp-json\/wp\/v2\/media?parent=3469"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/claraquintanastudio.com\/en\/wp-json\/wp\/v2\/categories?post=3469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}